Star Trek: Enterprise - Netflix

Posted by Editor on Wed 26 June 2019

Star Trek: Enterprise (ENT) focuses on the 22nd century adventures of Captain Jonathan Archer aboard the Enterprise NX-01 during the early days of interstellar travel. The NX designation indicates that this Enterprise is an experimental prototype; Archer's ship is Earth's first vessel designed for long-range exploration of the galaxy. Prior to the development of warp engines that could reach a velocity of warp 5, missions of this nature were impossible. At warp 2, only a handful of inhabited planets were within a year's travel from Earth. But at warp 5, that number increases to ten thousand planets! It is Archer's job to visit as many of those worlds as he can. At 190 meters long, the NX-01 is a bit smaller than Kirk's Enterprise, and carries a crew complement of just eighty-three men and women, all human, with the exception of the Vulcan science officer and the Denobulan doctor. Unlike the starships of the four other Star Trek series, this Enterprise doesn't have deflector shields or phasers, but it does come equipped with a phase cannon and a rudimentary transporter that functions efficiently most of the time.

Star Trek: Enterprise - Netflix

Type: Scripted

Languages: English

Status: Ended

Runtime: 60 minutes

Premier: 2001-09-26

Star Trek: Enterprise - Bound (Star Trek: Enterprise) - Netflix

“Bound” is the seventeenth episode of the fourth season of the American science fiction television series Star Trek: Enterprise, originally broadcast on April 15, 2005. It was written by showrunner Manny Coto, and directed by Allan Kroeker. The episode featured the return of the Orion slave girls, which had been originally seen in the original pilot of Star Trek: The Original Series, “The Cage”. Set in the 22nd century, the series follows the adventures of the first Starfleet starship Enterprise, registration NX-01. In this episode, three Orion slave girls come on board the ship, and the crew, with the exception of Commander “Trip” Tucker and Commander T'Pol who seem to have a resistant psychic bond, begin acting strangely. The episode featured the return of Cyia Batten and William Lucking who had both previously appeared in multi-episode parts in Star Trek: Deep Space Nine. Four time MTV Music Video Award for Choreography winner Travis Payne was brought on board to oversee the extensive choreography for the three actresses playing the Orion women. Each actress went through a four to five-hour make-up process for each day of filming, which required them to be sprayed green. “Bound” received Nielsen ratings of 1.8/3%, and critical reaction was mixed with one reviewer listing it amongst the best episodes of Enterprise while another listed as the worst episode ever of any Star Trek series.

Star Trek: Enterprise - Production - Netflix

The Orion slave girls had been introduced in the original Star Trek: The Original Series pilot “The Cage”, footage from which was later adapted to appear in the episode “The Menagerie”. The make-up was designed by Fred Phillips, which was originally tested on Majel Barrett, before it was applied to Susan Oliver. Cyia Batten, Crystal Allen and Menina Fortunato played the three Orion women in “Bound”. Batten had previously appeared as Tora Ziyal, the daughter of Gul Dukat in Star Trek: Deep Space Nine in the episodes “Indiscretion” and “Return to Grace”. She also appeared in “Drive”, an episode Star Trek: Voyager, as Irina. William Lucking had appeared as a Bajoran called Furel in three episodes of Deep Space Nine; “Shakaar”, “The Darkness and the Light” and “Ties of Blood and Water”. Derek Magyar returned as Commander Kelby, following his introduction earlier in the previous episode “Divergence”. Allen recalled The Original Series, and said that she was pleased to be remembered as an Orion slave girl. However, she was not pleased with the make-up process which took between four and five hours to apply, and required each actress to be sprayed with green make-up over their whole body. Removal of the makeup was via the showers in the Paramount lot's executive gym. The make-up team also needed to apply fake sweat and bruises to other members of the cast to represent the results of the increased aggression shown by them in the episode's plot. Allan Kroeker, who was the director of “Bound” had previously directed two episodes earlier in the season, “Storm Front” and “Home”. Fortunato praised the director and described the Orions, saying that they “move very slowly, very seductively. I would like to compare us to snakes – we like to slither and creep around, versus a human. So we’re a little sneaky. The three of us are trying to get something accomplished, and each one of us has our target, so to speak, to try to manipulate them to get what we want in the end.” The choreography was overseen by Travis Payne, who had won the MTV Music Video Award for Best Choreography on four occasions and worked with Madonna, Michael Jackson and Britney Spears amongst others. Both Batten and Fortunato were trained dancers, with Batten being a former member of The Pussycat Dolls burlesque dance troupe, while Allen had previously appeared in films such as Maid in Manhattan and television series such as Boston Legal alongside William Shatner. After being cast, Fortunato said that the actresses playing the Orion women were not shown any film footage of the previous appearances of Orion slave girls, but were allowed to see a magazine article about Bobbi Sue Luther appearing as one in the episode “Borderland” in order to demonstrate what the make-up would look like. Filming began on January 6, 2005 and concluded on January 14. Only six days were used to shoot, with January 10 spent working on choreography for the dance scene and for shooting additional footage for “Divergence”. Filming on the earlier episode had also overlapped on the first day of filming. While the actresses playing the Orion women were required on all days, Lucking filmed all his scenes on the final day of shooting. The main cabin of the Orion ship was constructed in full specifically for this episode while the bridge was only a single wall as it was only seen on screen as a viewscreen background.

Star Trek: Enterprise - References - Netflix